Theodore’s study
A library should reflect the personality of its owner. Theodore’s study–one of the few bookish scenes in the whole of Gerald Durrell’s ouevre, reflects the eccentricities of its owner perfectly.
During the last days of the dying summer, and throughout the warm, wet winter that followed, tea with Theodore became a weekly affair. Every Thursday I would set out, my pockets bulging with match-boxes and test-tubes full of specimens, to be driven into the town by Spiro. It was an appointment that I would not have missed for anything.
Theodore would welcome me in his study, a room that met with my full approval. It was, in my opinion, just what a room should be. The walls were lined with tall bookshelves filled with volumes on freshwater biology, botany, astronomy, medicine, folklore and similar fascinating and sensible subjects. Interspersed with these were selections of ghost and crime stories. Thus Sherlock Holmes rubbed shoulders with Darwin, and Le Fanu with Fabre, in what I considered to be a thoroughly well-balanced library. At one window of the room stood Theodore’s telescope, its nose to the sky like a howling dog, while the sills of every window bore a parade of jars and bottles containing minute freshwater fauna, whirling and twitching among the delicate fronds of green weed. On one side of the room was a massive desk, piled high with scrapbooks, micro-photographs, X-ray plates, diaries, and notebooks. On the opposite side of the room was the microscope table, with its powerful lamp on the jointed stem leaning like a lily over the flat boxes that housed Theodore’s collection of slides. The microscopes themselves, gleaming like magpies, were housed under a series of beehive-like domes of glass.
–Gerald Durrell, My Family and Other Animals
